*Teaser Tuesday*
To dress an entire empty house with a tiny budget is no small task. Luckily the location we used for Jay’s house was open for an entire month prior to the shoot which meant Alison was able to bring in several car loads of set dressing and props throughout that time. A week before filming began, Nick Boganwright, arrived in town to finish gathering all the last pieces to complete the look & to begin dressing the set. The whole team was impressed when they arrived, the house looked great! A huge thank you to Alison’s family for allowing us to borrow so many great things and to Ken and Wendy Brewton at the Old Mill Town Market in Albermarle for letting us rent several items from their store for the weekend!

*Teaser Tuesday*

To dress an entire empty house with a tiny budget is no small task. Luckily the location we used for Jay’s house was open for an entire month prior to the shoot which meant Alison was able to bring in several car loads of set dressing and props throughout that time. A week before filming began, Nick Boganwright, arrived in town to finish gathering all the last pieces to complete the look & to begin dressing the set. The whole team was impressed when they arrived, the house looked great! A huge thank you to Alison’s family for allowing us to borrow so many great things and to Ken and Wendy Brewton at the Old Mill Town Market in Albermarle for letting us rent several items from their store for the weekend!

Joey Hood as Jay, looking down at Missy in the bathroom.
*Teaser Tuesdays are back!*
Sorry for going AWOL the past couple of weeks! I’m sure you were all on the edge of your seats, eagerly awaiting the next Teaser Tuesday post. ; ) I’m happy to report that much progress is being made on the editing front, and we are very excited about what we have so far.
In other news, we are continuing work on our operating agreement and business plan. That means lots of research, lots of e-mailing back and forth, and figuring out how to best represent our idea to potential investors.  It’s a challenge, but definitely a challenge we’re ready to take on.
Thanks for reading!
-Alison

Joey Hood as Jay, looking down at Missy in the bathroom.

*Teaser Tuesdays are back!*

Sorry for going AWOL the past couple of weeks! I’m sure you were all on the edge of your seats, eagerly awaiting the next Teaser Tuesday post. ; ) I’m happy to report that much progress is being made on the editing front, and we are very excited about what we have so far.

In other news, we are continuing work on our operating agreement and business plan. That means lots of research, lots of e-mailing back and forth, and figuring out how to best represent our idea to potential investors.  It’s a challenge, but definitely a challenge we’re ready to take on.

Thanks for reading!

-Alison

Operating Agreement

One of my biggest regrets from college is never taking any business courses. Now that I am producing a film independently, I’m learning everything as I go. Luckily I have a great line producer (Hi Taryn!) to hold my hand, and a great attorney, Nathan Workman, who can explain everything in laymen’s terms. 

Recently Nathan has been working with Kelly and me to put together an operating agreement for Missy Movie, LLC.  The process seemed intimidating at first, but it has been fairly simple, thanks to Nathan’s thorough and uncomplicated explanations. It seems not entirely unlikely that some of you may be in a similar situation, setting off on a grand artistic endeavor and unsure how to ground your project securely as a business. So I asked Nathan to enlighten us. 

What is an Operating Agreement and Why is It Important?

Imagine playing in a basketball game with a State Championship at stake.  How would you feel if the other team played with more than five players?  Or if the referee kept extending the time of each period?  Or if the number of points awarded for a basket kept changing?  Even if you emerged victorious, it would wear you out mentally and cause a tremendous amount of unnecessary stress.  The same is true for any business.  Without a fixed set of rules under which to operate, things are constantly in flux, and there are no clear-cut guidelines under which to make decisions.  For a Limited Liability Company, or “LLC,” the rules of the business are contained in a document called the Operating Agreement.  It’s a contract, signed by all of the members (essentially, the owners) of the LLC, which lays out all of the important ground rules for running the business.  If no Operating Agreement is put into place, when conflicts or problematic situations arise, state law will control the outcome, which may result in a much different outcome than you would want.

Do All Businesses Need an Operating Agreement?

I think it’s important that all businesses have a set of rules or guidelines which are approved by the owners.  Operating Agreements are just a special type of document containing the rules of a particular business, and they are unique to LLCs.  In corporate forms of businesses, like C Corporations, S Corporations, and Nonprofits, this document is called the “Bylaws.”  In partnerships, this document is called the “Partnership Agreement.”  They all have the same basic function, and they are all equally important.

How Does the Operating Agreement Relate to the Business Plan?  Are They Usually Incorporated Together?

There isn’t a lot of interrelationship between the Operating Agreement and the Business Plan, in my opinion.  Returning to the basketball analogy from earlier, the Operating Agreement is much like the actual rules of the game.  A player doesn’t think of the rules constantly as he or she plays the game.  Over years of practice, the rules are simply second nature, and the player acts in conformance with those rules as part of the game.  The Business Plan is much like the team’s game plan.  Within the confines of the rules, the game plan determines what the players must do in order to beat an opponent, and it changes from game to game.  The better the execution, the greater the chance of success.  Consequently, the Operating Agreement somewhat defines the parameters of the Business Plan, but it doesn’t provide a blueprint in itself of how to make the business a success.  Also, since the Business Plan changes and evolves frequently, and the Operating Agreement typically doesn’t change at all, they are rarely directly incorporated together.  There’s certainly no advantage to doing it that way.

How Much Do Operating Agreements Cost?

It all depends on what a business owner is looking for in an Operating Agreement.  If he or she wants something extremely basic that simply states how profits and losses will be handled and provide basic guidelines for resolving conflicts, there are forms online which can do that.  Legal Zoom and Incorporate.com come to mind as two major vendors of such agreements, and they run about $100.  However, they aren’t providing any substantive value to the business.  Most of these types of generic Operating Agreements simply mirror state law, so all you’re paying for is a false sense of security.  Nearly always, the same legal outcome would occur whether or not you had a generic Operating Agreement.  The real value in Operating Agreements is speaking with an attorney who understands your business model, identifies the risks involved with it, and has the knowledge and experience to minimize the exposure from those risks (or eliminate them altogether).  Here, an ounce of prevention is worth a pound of cure.  A good Operating Agreement will take an attorney between 4-5 hours of time in researching and drafting to complete.  Based on that, a ballpark figure would be $600-1,000.  If that seems high, keep in mind that most retainers for litigation are well over $5,000, so if the Operating Agreement prevents one lawsuit, it will have paid for itself many times over.

What’s the Most Important Element of an Operating Agreement?

The most important element of an Operating Agreement is the one that you’ve overlooked.  It’s absolutely critical to have people with actual business or industry experience look over an Operating Agreement to ensure that all of the key issues are addressed.  For instance, people will often leave out clauses or rules regarding confidentiality, intellectual property ownership, alternative dispute resolution, and numerous other topics.  While an Operating Agreement can’t account for every potential scenario a business will encounter, it should account for every potential scenario that it likely will.

Nathan Workman is an attorney, writer, and entrepreneur located in Indian Trail, North Carolina. He is the Managing Attorney at the Law Office of Nathan Michael James Workman, PLLC, where he primarily focuses on Bankruptcy, Business Law, and Nonprofit Governance, serving clients throughout North Carolina and Florida. He can be reached at nathan@nmjw.com.


P.S. I linked to Nathan’s website at the top of the post, but here it is in case you missed it.  Thanks for reading!

nmjw.com

-Alison

*Teaser Tuesday*
Tools of the trade.

*Teaser Tuesday*

Tools of the trade.

*Teaser Tuesday*
Joey Hood, as Jay.

*Teaser Tuesday*

Joey Hood, as Jay.

Production still: Missy lighting a cigarette.

Production still: Missy lighting a cigarette.

The scene of the scene

Today I went back to the apartment we used for our set to begin the clean up process. (Fortunately we didn’t have to strike everything immediately after the shoot.)  I found it oddly emotional to be back there, and I realized I tend to develop sentimental attachments to my performance spaces. When I graduated from college, I went back to the little black box where I’d spent so many Saturdays doing tech and so many nights rehearsing and performing, and I cried.  I have wonderful memories of shooting my first film project in a little house in Mooresboro, NC. There’s just something haunting about standing on an empty stage, whether it be a theatrical stage, or a house transformed into a film set.  In the quiet you can feel the echoes of past performances, triumphs, failures, laughter that brought you to tears, friendships forged in the heat of production.  Actors talk a lot about sense memory, so maybe it’s appropriate that some of my strongest sense memories are tied to performances spaces.

Saying thank you

The Missy cast and crew. Not pictured: all our IndieGoGo donors and my wonderful family who donated the set and many of the props. 

In case you’ve been following the progress of our short film, Missy, I’m here to tell you the shoot went very well. Even in this raw, early state, the footage looks gorgeous.  The shoot was not without its mishaps and difficulties, but our amazing crew kept a good attitude and a sense of humor all weekend.  Most of the crew was unpaid, and the few that were paid were very understanding of our low budget status.  They endured the cold all weekend, worked hard, and I think, managed to have a little fun while they were at it.

To say thank you to these people seems contrite when I consider what they’ve done for me.  I started writing Missy two years ago, and she was in my head even before that. This weekend I saw her come to life. It’s the most humbling, gratifying, and inspiring thing I can imagine to watch these talented people come together to flesh out what began as a neuron fire in my brain.  Amber, our director (assisted by Nicole) led us so brilliantly.  Joey gave Jay all the complexity and contradiction that I always envisioned.  Heather and Ashleigh sculpted these characters with wardrobe and make-up.  Drew and his team (Jacob, Cody, George, and Matthew on sound) captured these moments in their lives with artistry and efficiency.  Chassidy kept us organized. Kiefer, Angela, Tim, and Mike kept us stocked with food and coffee, and did the heavy lifting that PAs are so often called upon to do. Josh captured the behind-the-scenes moments for posterity. And none of this would have been possible without Kelly, Taryn, and Nick, who have given so much of their time (and money) to make this film happen.

To all of you who are like me, chasing a big dream that you’re not sure is even possible, remember this weekend as a testament to Possibility.  Incredible things can happen when you surround yourself with talented people who do what they love, when you ask politely for help, when you work hard, and when you abandon the fear of failure for the realization that not trying at all is worse than trying and failing.

I hope for a lifetime of experiences like this.

All my gratitude,

Alison

That’s a wrap!

[Jedediah the Production cat with Producer, Kelly.]

Well I had super high hopes for posting blogs throughout the weekend, but alas, sleep became more important! :) It was a busy weekend, and now as I prepare to drive back to DC, I’m only just beginning to process everything. I’ll have more concise thoughts to add about this amazing experience in the next couple days, but for now I just want to say thank you to everyone. We had an great team and a great time and couldn’t have hoped for better spirits to work with! More to come soon!!!

-Amber

Come together, right now!

[The first of many updates throughout the weekend…check back frequently for posts, pics, ‘n more!]

Finally, our scattered team is coming together! Over the course of the week our producer (Kelly), DP (Drew), and Director (me!) have been trickling into town from LA and DC, and tonight our last migrant soul, actor Joey Hood, joins us from Austin. After months of pre-production work via email, phone call, text, g-chat, and skype, we are so excited to finally have everyone in the same place. 

Yesterday (Thursday) we spent our time tying up odds and ends. Drew met George, our gaffer, and the three of us had a walk through of the space. We also finalized prop and set needs with Art Department head and Associate Producer, Nick. Kelly spent a large part of the day chasing us around with: “Have we finalized the schedule yet?” “Can we finalize the schedule? How bout that schedule” :) Other commonly repeated phrases throughout the day included: “Ah, that’s gloriously shitty,” “God is my gaffer,”  and “Holy crap it’s soooooo cooooooold!!!” We also lovingly named our stray set cat, Jedidiah, which we later discovered meant, “friend of God.” (pics of Jedidiah to come…) We finished off the day with meetings with our costumer, Heather, our AD, Nicole, and our source of inspiration, Jack Daniels. 

Today it begins. The filming. The action. Today one phase of our work ends, and the next part begins. This is the moment when we start to see if all the other work will be enough…if it will pay off. We all have a healthy respect for Murphy’s law, but right now I’m feeling really confident.

…and so it begins…

ACTION!